Category Archives: The Best Small Fictions

BEST SMALL FICTIONS 2016 Winners, Finalists, and Semifinalists!

Download the printable list: Winners, Finalists, Semifinalists Announcement

 

On announcing that Stuart Dybek would join Series Editor Tara L. BSF 2016 frontMasih as this year’s Guest Editor, we promised that The Best Small Fictions 2016 would offer “the same excitement and depth as the first” volume.

Without the many journals and presses that nominated their writers, as well as the writers themselves who poured so very much onto the page, we wouldn’t be able to say that we feel we’ve made good on our pledge.

We have to thank Assistant Editors Michelle Elvy and Clare MacQueen, and our expert roving editors who read countless stories: Michael Cocchiarale, Tara Laskowski, and Mary Slechta. Consulting editors X.J. Kennedy, Michael Martone, Dawn Raffel, Motoyuki Shibata, and James Thomas assisted Tara Masih in narrowing down hundreds of eligible stories. Finally, our greatest thanks goes to Stuart Dybek for selecting 45 exceptional stories from 100 finalists. Overall, thousands were narrowed down to the list below. So it is with great pleasure that we give you the winners, finalists, and semifinalists of the October-releasing Best Small Fictions 2016:

 

WINNERS

Amir Adam, “The Physics of Satellites” (One Throne Magazine)

Daniel Aristi, “Tempus Fugit” (SAND)

Tina Barry, “Going South” (from Mall Flower, Big Table Publishing Co.)

Paul Beckman, “Healing Time” (from Peek, Big Table Publishing Co.)

Laurie Blauner, “The Unsaid” (The Collagist)

John Brantingham, “The California Water War” (Tahoma Literary Review)

Alberto Chimal, “The Waterfall” (trans. George Henson, from Flash Fiction International, Norton)

Justin Lawrence Daugherty, “A Thing Built to Fly Is Not a Promise” (Pithead Chapel)

Toh EnJoe, from “Twelve Twitter Stories” (trans. David Boyd, Monkey Business International)

Grant Faulkner, “The Toad” (from Fissures, Press 53)

Grant Faulkner, “Way Station” (from Fissures, Press 53)

Kathy Fish, “A Room with Many Small Beds” (from Rift, Unknown Press)

Rosie Forrest, “Bless This Home” (from Ghost Box Evolution in Cadillac, Michigan, Rose Metal Press)

Megan Giddings, “Reunion” (PANK)

Megan Giddings, “Goodbye, Piano” (matchbook lit mag)

Amelia Gray, “These Are the Fables” (from Gutshot, FS&G)

Charles Hansmann, “Camouflage” (from KYSO Flash Anthology of Haibun and Tanka, KYSO)

Britt Haraway, “Papa, Too” (Great Weather for Media)

Mary-Jane Holmes, “Trifle” (The Tishman Review)

Laird Hunt, “Star Date (Avant-History)” (Monkey Business International)

A. Nicole Kelly, “Milk Teeth” (Fiction Southeast)

James Kennedy, “World’s Worst Clown” (SmokeLong Quarterly)

Etgar Keret, “The Story, Victorious” (trans. Nathan Englander, from Flash Fiction International, Norton)

R. O. Kwon, “Hey” (NOON)

Nathan Leslie, “A New Cycle” (from Root and Shoot, Texture Press)

Paul Lisicky, “Modernism” (from Shale, Texture Press)

Eliel Lucero, “The Herald” (Great Weather for Media)

Nancy Ludmerer, “First Night” (River Styx)

Melissa Manning, “Woodsmoke” (Overland)

Michael Martone, “In the Ditch, Minnesota I-35 . . .” (Quarter After Eight)

Elizabeth Morton, “Parting” (SmokeLong Quarterly)

David Naimon, “Past a Roar Completed” (Fiction International)

Jessica Plante, “Natural Disaster” (SmokeLong Quarterly)

Dianca London Potts, “Mama’s Comb” (Obsidian)

Dawn Raffel, “Conductivity” (Tammy)

James Reidel, “Black Out” (Fiction Southeast)

Sophie Rosenblum, “Strawberry Festival” (PRISM International)

Caitlin Scarano, “Pitcher of Cream” (Conium Press)

Vincent Scarpa, “Easter, 1991” (NANO Fiction)

Robert Scotellaro, “Bug Porn” (from What We Know So Far, Blue Light Press)

Courtney Sender, “The Solidarity of Fat Girls” (American Short Fiction)

Janey Skinner, “Carnivores” (KYSO Flash)

Curtis Smith, “Illusion” (Moon City Review)

Robert Vaughan, “A Box” (from Rift, Unknown Press)

Clio Velentza, “Midsummer Gothic” (Hermeneutic Chaos)

 

FINALISTS

Gareth David Anderson, “So Much” (Blue Monday Review)

Fay Aoyagi, “Confession” (Modern Haiku)

Britt Ashley, “Film Adaptation of a Love Scene from My Unread Copy of Wuthering Heights” (Juked)

Andy Bailey, “Cellar” (Hermeneutic Chaos)

Lauren Becker, “Form and Line” (Journal of Compressed Arts)

Annie Bilancini, “The House of Schiaparelli” (The Collagist)

Ali Brennan, “Feamainn” (Banshee)

Gerri Brightwell, “My Promotion” (Cleaver Magazine)

Jonathan Cardew, “The Season for Persephone” (Flash Frontier)

Kim Chinquee, “Touch Me” (100 Word Story)

Lisa J. Cihlar, “O Baptism, Sings the River” (from Shale, Texture Press)

James Claffey, “Hardscrabble” (Thrice Fiction)

Sheldon Lee Compton, “These Falling Stars” (Blue Five Notebook)

Kathy Fish, “A Proper Party” (from Rift, Unknown Press)

Rosie Forrest, “Where We Off To, Lulu Bee?” (from Ghost Box Evolution in Cadillac, Michigan, Rose Metal Press)

Vanessa Gebbie, “Three Stages in Learning to Fly” (from Ed’s Wife and Other Creatures, Liquorice Fish Books)

Amelia Gray, “On a Pleasant Afternoon, Every Battle Is Recalled” (from Gutshot, FS&G)

Carol Guess and Kelly Magee, “With Human” (from With Animal, Black Lawrence Press)

Re’Lynn Hansen, “The Ghost Horse” (from To Some Women I Have Known, White Pine Press’s Marie Alexander Series)

Aubrey Hirsch, “Afterbirth” (Booth Journal)

Tamsin Hopkins, “Death by Kissing” (Neon)

Jennifer A. Howard, “The Big Rip” (New South Journal)

Sabrina Huang, “There Is Nothing to Bind Our Hearts Together” (trans. Jeremy Tiang, Read Paper-Republic)

Gail Ingram, “Whispers” (Flash Frontier)

M. J. Iuppa, “641” (Nanoism)

Elizabeth Kerlikowske, “Reading Maps” (from The Female Complaint, Shade Mountain Press)

Julia LaSalle, “Helmet Shell” (Monkeybicycle)

Nathan Leslie, “The Miniaturist” (from Root and Shoot, Texture Press)

Kristie Letter, “Late July, Clover Lick, West Virginia” (Tahoma Literary Review)

Henry Wei Leung, “Getting There” (Cha: An Asian Literary Journal)

Fiona Lincoln, “Long Shadows” (Flash Frontier)

Bob Lucky, “The Current Situation” (from KYSO Flash Anthology of Haibun and Tanka, KYSO)

Ilana Masad, “In a World Gone Mad” (One Throne Magazine)

Jamey McDermott, “A Brief Dispatch on Proper Expectation Management” (The First Line)

Frankie McMillan, “The House on Riselaw Street” (Flash Frontier)

Christopher Merkner, “Up To and Including Our Limits” (Hotel Amerika)

Sabine Miller, “Keeping Cool” (Mariposa)

Geoffrey Miller, “The Belvedere: Iquitos” (defenestrationism)

David Morris, “Consumption” (Monkeybicycle)

Valerie Nieman, “Hotel Worthy” (from Hotel Worthy, Press 53)

Chris Okum, “To Keep the Dark Away” (Camroc Press Review)

Lisa Prince, “things found in rain puddles” (from Shale, Texture Press)

Doug Ramspeck, “Dog Memories” (Cleaver Magazine)

Ryan Ridge and Mel Bosworth, “Where the Doors Went” (from Camouflage Country, Queen’s Ferry Press)

Katey Schultz, “Paddy, the Albino” (KYSO Flash)

Amy Shearn, “2025” (People Holding)

T. L. Sherwood, “Pretty Changes” (Jellyfish Review)

Aaron Sommers, “Real Numbers” (Word Riot)

Kelly Stark, “Ceremony” (Corium)

Daniel Uncapher, “Infestation Miracles” (Neon)

Robert Vivian, “Last Minute Contributor” (Duende)

Deborah Walker, “Ghost Nebula” (from (AFTER)life: Poems and Stories of the Dead, Purple Passion Press)

Anne Elizabeth Weisgerber, “Sleeping Beauty: Markson Fangirl” (Tahoma Literary Review)

Will White, “The Secret Underground Tooth Economy of Boston” (Strangelet Journal)

Diane Williams, “Specialist” (Granta)

 

SEMIFINALISTS

Annabel Banks, “Payment to the Universe” (matchbook lit mag)

Damyanti Biswas, “Picasso Dreams” (Bath Flash Fiction Award)

Ron Currie, Jr., “Cross Your Fingers God Bless” (Wigleaf)

John Englehardt, “This Is Great but You Don’t Need It” (Conium Press)

Elliott Freeman, “When I Was Afraid of My Grandfather’s Skin” (Blue Monday Review)

Lydia Copeland Gwyn, “Recipe” (Hermeneutic Chaos)

Mercedes Lawry, “Was there transposition?” (Cleaver Magazine)

Joshua Robert Long, “Occasional Self-Portrait, Part II” (The Harpoon Review)

Kelly Luce, “Outside” (NANO Fiction)

Sarah Hulyk Maxwell, “Whales in Minnesota” (NANO Fiction)

Marion Michell, “Cuffs and Collars” (SAND)

Samantha Murray, “Portrait of My Wife as a Boat” (Flash Fiction Online)

Ethel Rohan, “Dark Stars” (from Winesburg, Indiana)

Robert Scotellaro, “Weights and Measures” (from What We Know So Far, Blue Light Press)

Annesha Sengupta, “No More Broken Bones” (Pithead Chapel)

David Swann, “Children of Dirt and Thunder” (from Stronger Faster Shorter, Flash: The International Short-Short Story Press)

Rachael Thomas, “Easter Sunday (triptych)” (Journal of Compressed Arts)

Dorothy (Hiu Hung) Tse, “Bridges” (trans. Nicky Harman, Read Paper-Republic)

Chris Tusa, “Winter Wonderland” (Corium)

Deb Olin Unferth, “The Walk” (NOON)

 


 

THE BEST SMALL FICTIONS 2016 Nomination Time!

“I believe The Best Small Fictions series, which will begin with this 2015 volume, is an extraordinarily important literary event. The art form of the small fiction speaks strongly to the zeitgeist of the 21st century and this sort of focused recognition is long overdue.”

–Robert Olen Butler

With The Best Small Fictions 2015 launched (and now available on international sites BookDepository and bol.com), we are heartened by the support we’ve received and the wonderful reviews, many of which are coming from readers unfamiliar with flash who are discovering this genre for the first time, and who are finding a new appreciation for the form. Readers are commenting on the exceptional variety in the book, and we hope to continue to highlight the field’s diversity. They are also enjoying the discovery of new journals and presses.

Just this week NYU hosted some The Best Small Fictions 2015 authors as part of the McGhee Inside/Outside Reading Series:

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As we look ahead to The Best Small Fictions 2016, guest edited by PEN/Malamud Award–winner Stuart Dybek, and with Tara L. Masih at the helm as series editor, we invite you to send in your nominations, starting November 1. As our guidelines and FAQs have recently changed, they are posted below in full, and are also available on the QFP site: http://www.queensferrypress.com/bsf/bsf2016guidelines.pdf

The Best Small Fictions 2016 Nomination Guidelines

Queen’s Ferry Press—founded to promote collections of literary fiction—is pleased to publish the first contemporary anthology solely devoted to compiling the best short hybrid fiction in a calendar year. With this annual—honoring work appearing in literary journals and story collections worldwide—we seek to promote the seasoned writer as well as the emerging writer in a compilation that reveals the depth of literary fiction and highlights historical trends as they occur due to world events and human considerations. The Best Small Fictions is a brief, affordable, yet powerful reader that supplements instructors’ current classroom anthologies and texts and offers writers and readers examples of what their contemporaries are achieving.

Journal editors and book publishers: submit up to five nominations (print or online) from your journals, chapbooks, broadsides, or story collections. Small fictions consist of 6 words to 1,000 words, and may take any traditional or experimental form and include illustrations or photos. However, the fictions must be prose and self-contained (no novel/novella excerpts) and published/translated into English. Poetry that sits on the edge of fiction and verse may be submitted, but should be mainly in prose form (haibuns qualify). Small fictions must be published in 2015 and submitted November 1, 2015, until January 18, 2016 (postmark deadline). NOTE: foreign submissions have a January 11 postmark deadline.

Submission Checklist:

  • Up to 5 nominations (tearsheets, printouts, or photocopies)
  • 2 copies of each nominated small fiction
  • Cover letter (editor email contact info; author/artist email contact info; publication info and word count)

Do not send originals as all submissions will be recycled. We accept no email submissions. Mail nominations to:

Best Small Fictions 2016

c/o Tara Masih, series ed.

3321 Haley Point Rd.

St. Augustine, FL 32084

 

Questions regarding the nomination process may be sent to series editor Tara Masih at QueensFerrySmallFictions@gmail.com, but queries as to the status of a nomination will go unanswered. Use tracking or enclose an SASE of you want acknowledgment of receipt. The 2016 guest editor, PEN/Malamud Award–winner Stuart Dybek, will be judging the finalists blindly. At no time may the guest editor be contacted.

Writers accepted will be notified late spring, with a publication date in Oct. 2016. Finalists will be acknowledged in the book.

For updates, please see the Queen’s Ferry Press blog, like our “The Best Small Fictions” Facebook page, or follow @Qfpress on Twitter.

Frequently Asked Questions:

You mention you are looking for hybrid work. Can I send in my flash story, which is not considered hybrid?

Yes, we use hybrid lightly to encompass the whole genre of small fictions, as we consider flash stories to fall under the hybrid umbrella. Traditional and experimental are both welcome.

In what year do the stories have to be published?

Within January 1 and December 31 of the calendar year in which the submission period begins. If the story has yet to appear, the manuscript is welcome as long as there is a commitment to publish by the 31st.

Can the stories receive an edit before submission?

Yes, as long as a substantial part of the story remains as it appeared in the publication, edits are acceptable.

What rights are you asking for?

We are going to ask for one-time republication rights to revert back to the author on publication.

Should the pages of each story be stapled or paper-clipped together, or should all pages in the packet remain loose? 

 

All methods are acceptable.

 

When printing stories from the web, is it acceptable to hand-print the author’s contact information at the top of the first page?

 

Yes, but we still need a cover letter with the nominating editor’s name and email and word counts either on the story or in the cover letter.

 

If bios appear at the beginning or end of each story, is it okay to include them, or do I need to cut and paste those stories into Word and strip out the bios?

 

It is fine to retain bios; they will be stripped out for the guest editor. Cutting and pasting the stories into Word is acceptable, too, and has its benefits, as word counts can then be verified, but this is totally optional.

 

Are stories that won competitions eligible?

 

Yes, as long as they appeared in print or on a website as a published winner.

 

If a story collection includes stories published prior to the calendar year, can they be nominated?

 

Yes, as long as the collection was published in the nominating year, each story is eligible.

 

Is self-published work eligible?
Not at this time. The same applies to Fictionaut and similar venues.

How are winners and finalists notified?
We send winners and their nominating editors personal emails in the spring; finalists are notified in a group email and asked to let their nominating editors know their status.

THE BEST SMALL FICTIONS 2015 Readings

Events kick off this week in NYC in support of The Best Small Fictions 2015:

Sunday, October 25KGB Bar Reading Series, KGB Bar, NYC
Lisa Marie Basile, Randall Brown, Jesse Kohn (finalist), Jane Liddle, and Julia Strayer (with Amina Gautier)

Wednesday, October 28 — McGhee Inside/Outside Reading Series, NYU Bookstore, NYC
Rusty Barnes, Lisa Marie Basile, Randall Brown, George Choundas, Jesse Kohn (finalist), Jane Liddle, Dawn Raffel, Kathryn Savage, and Julia Strayer

Special thanks to NYU’s Julia Strayer and Ruth Danon for their hard work on this event.

McGheeInsideOutside

 

 

THE BEST SMALL FICTIONS 2015 Launches!

The Best Small Fictions 2015 is now available through Amazon, Amazon UK, and other online retailers such as Barnes & Noble for the general release date of October 6, 2015; the ebook (Nook and Kindle) will be released early for international readers and downloadable on the 6th.

As we approach the official launch, we feel this is a good time to share some exciting anthology news.

A wonderful new review is in from BookTrib in which Rebecca Foster says, “Super-short stories . . . have exploded in popularity. Where should newbies start? With Best Small Fictions 2015 . . . [r]eaders will be introduced to a wealth of fresh and existing talent…. Discover some haunting voices for yourself this fall.”

BookCourt, located in Brooklyn, was first to carry BSF copies, displaying the book prominently in its window:

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Many thanks to BookCourt for their support. We are also grateful to the following bookstores for recent orders: Prairie Lights (Iowa City, IA), Well Read Books (Plaistow, NH), and The Brewster Bookstore (Brewster, MA). The press also appreciates when readers request that their local bookstore carry a Queen’s Ferry title.

We’re also pleased to announce that as of this date the anthology will be taught at Baldwin Wallace University, CW Post College, Georgia State University, Hendrix College, Lighthouse Writers Workshop, and Regis University.

Events and readings for 2015-16 are scheduled on the East and West Coast:

*25 October, 2015KGB Bar Reading Series, KGB Bar, New York, NY
Lisa Marie Basile, Randall Brown, Jesse Kohn (finalist), Jane Liddle, and Julia Strayer (with Amina Gautier)
*28 October, 2015NYU Bookstore, New York, NY
Rusty Barnes, Lisa Marie Basile, Randall Brown, George Choundas, Jesse Kohn (finalist), Jane Liddle, Dawn Raffel, Kathryn Savage, and Julia Strayer
*7 January, 2016Book Soup, West Hollywood, CA
Lauren Becker, Yennie Cheung, James Claffey, Blake Kimzey, and Chris L. Terry
*4 February, 2016Flash Fiction Collective, Alley Cat Books, San Francisco
Stefanie Freele and Dan Moreau (with Jane Ciabattari and Grant Faulkner)
*3 June, 2016Dire Reading Series, Out of the Blue Gallery, Cambridge, MA
Allison Adair (finalist), Rusty Barnes, Randall Brown, Tara L. Masih, and Brent Rydin
*30 April, 2016 – Best Small Fictions: The Art of Compression, Newburyport Literary Festival, Newburyport, MA
Tara L. Masih, Dawn Raffel, and Brent Rydin

Please watch this blog for updates, visit and like The Best Small Fictions 2015 Facebook page, and/or follow @QFPress on Twitter.

*

A year in the making, it is with great pleasure that Queen’s Ferry acknowledges everyone who has helped make this debut “something significant, something worthwhile, and something necessary.”

Without the editors who nominated stories, there could be no book; we appreciate your faith. To the BSF finalists and winners: your writing made this anthology a vibrant, compelling volume we are proud to publish. To the 2015 consulting editors Kathy Fish, Christopher Merkner, Robert Shapard, and Claudia Smith, and roving editors Michelle Elvy and Clare MacQueen: we are in debt to you. We’re also appreciative for the general assistance of Heather L. Nelson. Gratitude to Steven Seighman for his interior design, and to Brian Mihok for so strikingly covering the book.

We are immensely grateful to Robert Olen Butler, who lent this project his prominence and wisdom and helped give the anthology its best start. Tara L. Masih is the reason this book exists at all and to thank her for her experience, expertise, and dedication feels flimsy but is offered most sincerely; I’m sure the authors agree that Tara gave her all to make The Best Small Fictions 2015 the very best representation of short short fiction.

And finally, we are immensely thankful to those who have bought a book or otherwise supported this title or the press.

*

The 2016 nomination period will open November 1; be sure to check out the updated guidelines and read the 2016 editor bios.

The Best Small Fictions 2015 — Editorial Elucidation from the Editors

“I believe The Best Small Fictions series, which will begin with this 2015 volume, is an extraordinarily important literary event. The art form of the small fiction speaks strongly to the zeitgeist of the 21st century and this sort of focused recognition is long overdue.” –Robert Olen Butler

 The Best Small Fictions 2015 guest editor Robert Olen Butler was kind enough to talk with Pleiades Magazine, a journal to see three of its small fictions included in the anthology’s debut; read about the perils of success, the search for balance, the biggest surprises in selecting authors for BSF, and more in “‘Lone Wolf of a Lie': Robert Olen Butler on The Best Small Fictions of 2015.”

Series editor Tara L. Masih also offers her insight in Fiction Southeast’s Ask an Editor Series on revision and recognition and, of course, the anthology she is responsible for: The Best Small Fictions 2015.

 

Robert Olen Butler, Empire vertical

In Defense of Sherman Alexie

 

Tara L. Masih, series editor of The Best Small Fictions, weighs in on the pseudonym controversy surrounding Michael Derrick Hudson and Best American Poetry 2015:

 

In the past few months, many controversies have been swirling in the literary world, fueled by the Internet, issues dealing with bias at AWP, white writers publishing poetry about black subjects at Rattle, and now this: a white writer posing as a Chinese writer to get published. BuzzFeed is one of the sites that broke the news that poet Michael Derrick Hudson, publishing under the pen name Yi-Fen Chou, was accepted into the 2015 Best American Poetry anthology. Sherman Alexie was the guest editor.

Alexie published a response to the controversy at the BAP blog on Sept. 7. It’s a valuable, intelligent look into the dilemma of being an editor for a Best Of anthology, and I encourage people to read it. While I don’t want to address the subterfuge that Hudson takes on as a writer with a pen name of a different ethnicity, I do want to address, as a “brown editor,” the acute honesty with which Alexie has responded.

I can sympathize, being new on the block to a Best Of series. While I’ve quietly edited anthologies and judged contests over the years, and worked for publishing companies that keep charts on racial demographics in their anthologies (yes, folks, don’t think this is new), I’ve never had the massive responsibility to steer such a complex project fraught with controversy just by being titled a Best Of collection. The very task of compiling anything that declares itself above anything else is going to attract some ire.

As a series editor or guest editor, you just gear up and wait for it, knowing someone will launch a complaint about something.

Therefore, the best thing a series editor or guest editor can do is to judge as objectively as possible, so he or she can withstand any onslaught.

It’s why we here at Best Small Fictions have a tiered system, and the final judging is blind. I feel strongly that the only way to achieve as much objectivity as possible is for the final editor to read without any knowledge of who the writers are, what their gender is, what their ethnicity is. We have to strip down as much information as possible so that the editor can read with blinders on and focus on that narrow lane of a page.

To that end, I decided not to publicly release and applaud our even ratio of men and women in the 2015 BSF anthology. Because while I was initially breaking down the winners list by sex, it occurred to me that I could not judge who was a man and who was a woman by their name alone. By doing that, in this new age where people are changing their gender, I do not want to make a biased decision.

The same should be true of a writer’s ethnicity. It should be kept out of the picture. It should not matter if it is a pen name or not, if the writer is the same color as its narrator. It’s all about the writing.

Except when we are trying to balance the scales.

Alexie did not have the luxury to read blind. BAP does things differently. So there is no point in throwing stones at an editor who must take into consideration, and in fact sees it as a duty to take in, those outer lanes.

I, for one, as a person of color, applaud his awareness in trying to balance those scales. It is time, as witnessed by all the fury over racial issues.

I especially applaud the fact that once he knew he was dealing with a white poet, he agonized over what to do, knowing the onslaught was coming. I can feel the pit in his stomach as he paced his room. Yet after rereading the poem (and I bet he did it obsessively) he still found it to be “compelling.”

How brave, to stand by his initial choice. Isn’t that, in the end, the best kind of objectivity?

In The Best Small Fictions, we, too, have stories that have raised some eyebrows. We, too, stand by them. If you compile a Best Of anthology, you have to do it with objectivity, an eye on the bigger picture, and with confidence that you have run down the track with a heart and mind filled only with the “best” intentions.

Stop pacing, Sherman Alexie, so this editor can give you a high five.

 

The Best Small Fictions Pre-Releases

We are thrilled to announce that The Best Small Fictions 2015 is now available for ordering exclusively through Queens Ferry. Copies ship immediately, so get yours ahead of the October 6th general release and discover why reviewer Joseph Spuckler says about the book: “Small fiction…is the matchbox of fiction; no story is more than a few short pages. There is also the feeling of completeness in these shorter stories…a fullness that usually requires many more words…. This is truly a well-selected collection and has given me a new appreciation for small fiction.”

Reviewer Bunny Goodjohn (for Mom Egg Review) also offers her eloquent take: “In much the same way that a platter of barbeque ribs brings out the glutton in the best of us, this volume of miniatures tempts us to dive in and not surface until we’re full to bursting. But that would be a mistake. These tiny stories are like sushi—each one should be savored and time taken to consider its artistry…. These fictions hand us our human condition on a literary plate.”

While you’re still hungry, perhaps head over to Goodreads and see what members and other reviewers are saying about the volume; also, please add it to your to read list if you are a member.

And don’t forget to check this space for updates!

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